In ‘King Lear’, the Fool is a character of dramatic importance in the play. The Fool helps the reader, and in Shakespeare’s time would help the audience, to understand what lies beneath the surface of certain actions or verses. He equally strives to make Lear ‘see’. The Fool may be a very intriguing character and very often a complicated one but his role is necessary in ‘King Lear’.
The Fool plays three major roles; one of these roles is that of an ‘inner-conscience’ of Lear. The Fool provides basic wisdom and reasoning for the King at much needed times. The Fool also works as amusement for Lear in times of sadness; often making Lear laugh at himself! He is one of the only people besides the Duke of Kent and Cordelia who are willing to stand up to the King.
Right from the very first appearance we realize that he is a very ironic character and that he makes fun of Kent as well as of the situation. With his sarcastic remarks and phrases he is simply telling Kent, “..thou must needs wear my coxcomb,” telling him that he is a Fool for; “…taking one’s part that’s out of favour,” because Lear has given everything away and is not worth following.
The role of he Fool is to help Lear “…see better…”, making him aware of what his daughters really are and trying to make him understand how wrong his deed of giving them everything was. He acts like Lear’s ‘inner-conscience’ and does this in the best of ways by being a “…bitter fool…” because the truth hurts; “Thou hadst little wit in thy bald crown when thou gav’st thy golden one away”. (Act 1 Scene 4) He is straight forward and direct, “…I had rather be any kind o’thing than a fool, and yet I would not be thee, nuncle.” (Act 1 Scene 4)
The Fool is surely the wisest of the two, “Thou shouldst not have been old till thou hadst been wise,” but in his own way he is a fool too, for standing by Lear through this because Lear is, “…an O without a figure…” he is, “…nothing…”. The directness of his words also foretells what is to happen to Lear. He is always trying to make him see things the way they are in an extremely wise way, “…but for all this thou shalt have as many dolours for thy daughters…” (Act 2 Scene 4) The Fool heightens the image of “nothing” in ‘King Lear’, taunting the King himself with his hurtful words; this is the wise-ness of the Fool
The Fool and Lear share a close relationship in the play, contrary to the many relationships that turn sour. The Fool stays loyal to Lear even through his madness. In Act 3 Scene 2 the Fools role becomes one of a commentator in his soliloquy; he taunts Lear and prophesies on events that will unfold. From this point on the prominence of his role starts to lessen as Lear meets Poor Tom and now gives him most of his attention. He still sticks to his wise sarcasm and joins in Lear’s mock-trial along with Poor Tom in Act 3 Scene 6. This is the last time we see the Fool, were his exit very appropriately portrays the state of affairs of the play at this point “And I’ll go to bed at noon.” – insinuating that everything is upside down and in chaos.
After having read ‘King Lear’, one may notice that the Fool and Cordelia never participate in the same scene; therefore there have been suggestions that Cordelia may have been the Fool in disguise, but there has never been any concrete proof to prove this theory.
The name Fool means nothing. He is the most intelligent and insightful character in the play and provides simple and clear reasoning for a King with limited vision. The Fool is loyal to the bitter end and provides the little bits of humour, much needed in this play; he has honesty and integrity that is found in only a few other characters in this play.
The Role Of The Fool In King Lear
Explore the role of the fool in King Lear.
In Elizabethan times, the role of a fool, or court jester, was to professionally entertain others, specifically the king. In essence, fools were hired to make mistakes. Fools may have been mentally retarded youths kept for the court’s amusement, or more often they were singing, dancing stand up comedians. In William Shakespeare’s King Lear the fool plays many important roles. When Cordelia, Lear’s only well-intentioned daughter, is banished from the kingdom Fool immediately assumes her role as Lear’s protector. The fool is the king’s advocate, honest and loyal and through his use of irony sarcasm and humour he is able to point out Lear’s faults. Functioning much as a chorus would in a Greek tragedy, the fool comments on events in the play, the king’s actions and acts as Lear’s conscience. As he is the only character who is able to confront Lear directly without risk of punishment, he is able to moderate the king’s behaviour.
King Lear is not the only one of Shakespeare’s plays to contain a comical scapegoat; in the Merchant of Venice, Gobbo is used to bring comedy and irony to an otherwise serious play, although his supposedly comical exploitation of his father’s blindness in the first act may also prepare us for the theme of cruelty which is evident in the play. We may further suggest that the fool’s surreal and absurd comments in King Lear ("thy bor’st thine ass on thine back o’er the dirt") imply the disorder within the hierarchy as a whole. However, as Touchstone in As You Like It is used as a comedic device by Shakespeare, so the fool is sometimes used for comic effect, employing the Elizabethan/Jacobean euphemistic "thing" as a synonym for penis. The fool in King Lear is an example of Shakespeare using the fool as a voice to bridge the gap between the audience and the stage. The "all-licensed fool" makes many of his quips at the expense of the king. Due to his role as Lear’s amusing sidekick, he was able to get away with this unlike any other, as is shown in the confrontation between Lear and Kent in act one scene one. Lear is the absolute ruler of the country - what he says is as good as God’s word – which reflects the Divine Right of Kings, a Medieval doctrine which was still extant in the early seventeenth century although it was beginning to come under significant pressure, a process which eventually culminated in the Civil War of 1642-50. Fool is also a rational man, commenting on Lear and foretelling his faults, However, characters who in other tragedies might contain comedic elements – such as the fool in King Lear or the drunken porter in Macbeth – are ultimately far removed from comedy as their quips serve a serious and often bleak purpose. The fool’s purpose is to make Lear laugh; yet in reality he makes serious remarks on the action and points out to Lear what is happening with his behaviour. Fool is paradoxically wise, typical of the...
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